...Without spending a packet. *Free online resources to improve your writing.*
First of all, let’s get poetry out of the way. For you sceptics out there who ‘don’t do poetry’, just bear with me a moment.
I am no poet. But from time to time, I write poetry. Why? Because it strengthens my writing skills. Whether it's to improve Showing technique, or widen vocabulary, or maybe even just to hone a better sense of rhythm, poetry is not just for poets. And if you try writing to form, it's similar to working out a puzzle, like a crossword or Sudoku. For these reasons more than any other, I highly recommend all writers should take some time to poem occasionally, even if it's for their eyes only.
I never used to like poetry, but when I took a free course many years ago I was pleasantly surprised how much I enjoyed the process of composing a poem to form. I still wouldn't claim to have in-depth knowledge of poetry's intricacies of technique, but I certainly have an appreciation as to how hard poetry can be to get right.
So, where to start?
www.shadowpoetry.com is a good place if you just want to get stuck in without reading too much into technique, etc. This site lists all the major poetry forms, with straightforward explanations and examples of how to write them. There are various articles regarding poetry, too, if you wish to delve further.
Myslexia recently published three poetry workshops on their website which takes you through the various stages of revision, so you can polish up and play around with whatever you wrote from Shadowpoetry.com
If you then get a taste for poetry and would like to dig deeper into the subject, I recommend this course studying the works of Wordsworth for more insight. On the Future Learn website, all courses run in cycles, so if you missed it the first time, it will come around again at some point. At the time of writing this article, the class is yet to be given another start date, but if you sign up to the site and register your interest, they’ll alert you when it’s going to run again.
So, let’s dispense with the poetry courses and move onto useful fiction writing resources.
FutureLearn is probably one of the best MOOCs out there (Massive Open Online College, I think, or something along those lines). Not only does it have some high-quality tutorials concerning creative writing, it also runs courses on a multitude of other subjects.
How does this relate to writing?
Research. Oh yessy. You can use some of these classes to gain insight into certain areas you might want to incorporate in a story – How to Survive on Mars, environmental conservation, cyber security. And the other useful thing is the contacts you make – other students are full of knowledge and can often provide you with links and info that will help you onto the next stage of your research.
But, onto the writing side of things…
There are two courses of particular notability that I feel will boost anyone’s writing knowledge, even those who are more experienced.
Start Writing Fiction is aimed mostly at beginners, but there are still some interesting insights for the more seasoned writer. The other plus for this course is that the modules require students to critique each others’ work – an invaluable skill all writers should learn (more on that in a bit).
Literature of the English Country House may seem, on the face of it, only for those with a taste for classic literature, but you’ll be mightily surprised how much insight this course gives you into the deeper meaning of words and creative writing techniques. You’ll learn how to close read texts and even take a trip into Jane Austen’s popularised technique of indirect discourse. What’s also pretty remarkable is the sudden sense of history you feel by the end of it, and how literature so closely reflects the times authors live through. Food for thought for any would-be novelist. The quality of the class material is outstanding, and if I ever wanted to study a degree Sheffield Uni would be one of my first choices if all their courses are to this commendable standard. I cannot recommend this course highly enough.
As mentioned previously, Future Learn courses run in cycles, and this is yet to be assigned a new start date, but if you register your interest they’ll let you know when the next cycle begins.
How to Read a Novel is another class on the horizon, starting in July, again on the Future Learn site. I’ve even signed up for this one myself so I can report back on what it’s like, but the subjects covered are plot, characterisation, setting, amongst other things.
I’d be silly to also not mention here my own free class on How to Plot Your Story Arcs. Emotional structure is extremely important, though sometimes hard to grasp, and this class covers the overall concept of the arc in a ten-minute run-through.
So, once you have taken your writing classes, and created some stories, what do you do with them? How do you know what works and what doesn’t? There’s only one place to go as far as I’m concerned…
www.critiquecircle.com Now, over the years I have signed up for plenty of writing sites promising rigorous critique, but I always end up back at Critique Circle (CC) with my early drafts. Why? Well, firstly it's a case of the absolute ease of use of the site. It's set up specifically with critique in mind and hones your editing skills like no other place I've found. You can write inline critiques – no need to keep moving up and down the page to copy and paste text into a comments box at the bottom. Or, if you prefer, you can write an overall critique of the whole piece in a single comments box. There's also handy guides on how to critique constructively. But it doesn't stop there – the sheer amount of resources on this site is mind-boggling. You can own your own private queues and create your own crit groups, there are templates on everything from plotting to character sheets to world building. There's much more to this site than what I've mentioned, but too much to explain it all here. You'll have to check it out yourselves.
Another reason I use this site is its activity. You earn credits for every critique you give and pay credits for every story you submit to the queues. This way there is a constant flurry of engagement
I wouldn’t recommend anywhere else if you are serious about getting feedback on your work. Word of warning, though, you may need some of that thick skin writers always bang on about. The members at CC are very giving with their time and their knowledge, but they do not offer platitudes.
So, you’re all set. These should keep you occupied for some time, and all the stronger for it by the end.
Got any free resources worth sharing?